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Christmas Album 27

A Child’s Christmas

Saturday, December 13th
1pm

What could be more fun than sharing the music of the holiday season with the youngsters in your family? Join NCS and our special guests for an hour of Christmas carols and sing-alongs.

Our annual CHILD’S CHRISTMAS concert is especially designed for the young and their adult companions, and takes place at the McAninch Arts Center at College of DuPage. The program will include popular holiday selections including Jingle Bells, Rise Up Shepherd, Lo How a Rose, What Child is this?, Silent Night and other traditional favorites. We will also be presenting musical selections by Alice Parker, John Rutter and Lee Kesselman, accompanied by instrumentalists Sherry Kujala, flute, and William Buhr, piano.

As always, Santa will join us on stage and in the lobby following the performance. One of our most popular concerts of the year—get your tickets early!


Family Christmas Album 27: All Carols

Sunday, December 14th
4pm

What would Christmas be without carols? NCS brings you our annual celebration of popular traditional carols from Spain, England, Estonia, America and the African-American Spiritual tradition. There will be arrangements by Luboff, Warland, Rutter and Vaughan Williams, a new arrangement of What Child Is This? for flute and chorus by our Music Director Lee Kesselman, and an arrangement of the Coventry Carol by Glen Ellyn resident and NCS member Paul Sirvatka. These songs will touch your ears and your heart.

The concert will feature guest artist flautist Sherry Kujala, and our long-time accompanist William Buhr will accompany from the keyboard.

Program

I

Gaudete (from Piae Cantiones, 1582) — arr. Hawley Ades

Of the Father’s Love Begotten (13th C. plainsong) — arr. Dale Warland   

II  From Spain

Riu, riu, chiu (16th C. Spain) — arr. Ben Allaway

Nightingale Carol (17th C. Catalan) — arr. E. A. Hovdesven

Dansaron (16th C. Spain) — arr. Ben Allaway

III  From the British Isles

Coventry Carol (15th C.) — arr. Paul Sirvatka

Child in a Manger (Celtic) — arr. John Rutter

Wexford Carol  (Irish) — arr. Dale Warland

In the Bleak Mid-Winter — Gustav Holst arr. Lee R. Kesselman

What Child is This? (English, before 1642) — arr. Lee R. Kesselman

Wassail Song (North of England) — arr. Ralph Vaughan Williams

IV  Spirituals

Rise Up Shepherd and Follow — arr. Larry Farrow

Glory, glory, glory to the Newborn King — arr. Moses Hogan

INTERMISSION

V  Bells

Ule Lume Lagedale (Estonia) — arr. Ken Berg

Carol of the Bells — arr. Kirby Shaw

Jingle, Bells — J. Pierpont (1822-1893) arr. David Willcocks

VI

Lo, How a Rose / The Rose — Michael Praetorius/Amanda McBroom arr. Craig Hella Johnson

Still, Still, Still (Austria) — arr. Norman Luboff

Good King Wenceslaus (from Piae Cantiones, 1582) — arr. David Willcocks

VII From the Hills of America

Hush, My Babe (Appalachia) — arr. Wayland Rogers

I Wonder as I Wander (Appalachia) — arr. John Jacob Niles & Lewis Henry Horton

Sunny Bank (Virginia) — arr. Mack Wilberg

We Wish You A Merry Christmas (England) — arr. Paul Johnson

Encores

Light One Candle — Peter Yarrow arr. Robert DeCormier

Silent Night


Guest Artist Sherry Kujala

NCS is pleased to welcome back to our stage guest artist Sherry Kujala. Although Sherry has played the flute since she was a child growing up in Waco, Texas, these days she maintains a career that balances her interests in flute performance, arts administration and publishing. For many years Sherry was associated with the school of music at Baylor University where she was a longtime student of Helen Ann Shanley. She began her studies with Professor Shanley in the eighth grade, and continued through her college years at Baylor.

Sherry completed her master of music in flute performance at Northwestern University (Evanston, Illinois) in 1985, and at the time planned on pursuing a doctorate, further solidifying her qualifications for college professorships. Her career took a slight turn when upon graduation from Northwestern, she won a spot in the Civic Orchestra of Chicago (the training orchestra of the Chicago Symphony Orchestra), and at the same time, took a position on the staff of the Chicago Symphony in the Development Department. After three years in that position, Sherry returned to school, but instead of following her previous plans to pursue a doctorate in music, she entered the Kellogg Graduate School of Management at Northwestern.

A career associated with symphony orchestras, whether playing in them or participating in the behind-the-scenes operations of orchestras, became Sherry’s natural choice for career placement. She had enjoyed a lifelong passion for orchestras from a very young age when her mother was the executive assistant to the music director of a regional orchestra in Texas. Her father’s work as a high school band director introduced her to the numerous operations challenges of keeping a large ensemble running and afloat. It was perhaps the confluence of these numerous imprints from her childhood that drives her to the passionate belief that the various operations functions are as important to the final results of a concert as the proper interpretation of a Haydn symphony.

In addition to performing in the flute sections of a number of orchestras throughout the Midwest, Sherry has appeared as a soloist in performances of concertos and solos by Carl Nielsen, Wolfgang Amadeus Mozart (Concerto in G Major, Concerto in D Major, and the Concerto for Flute and Harp), Antonio Vivaldi (concertos for both flute and piccolo), Carl Reinecke, and Poem by Charles T. Griffes.

Sherry was on the substitute list of the flute section of the Chicago Symphony for 12 years, and is pleased to have had a few opportunities each of those years to perform and record with the orchestra on both flute and piccolo. Sherry is married to Walfrid Kujala, former principal piccoloist of the Chicago Symphony Orchestra and currently professor of flute at Northwestern University. Together they own and operate a small publishing firm devoted to Walfrid’s pedagogical materials for flute study and orchestra audition preparation, as well as a few solo works commissioned by noted composers.